![]() ![]() Its an eight-voice desktop polyphonic synthesiser with three New Oxford Oscillators for each voice. UNISON2: when two keys are held, and one of the keys is released, U1 reassigns the remaining note to all channels (hardcore Odyssey behavior) while U2 doesn’t change anything (nice for playing and letting decay 2-note chords). Peak sounds warm and rich with filthy, biting overdrive. In classical voice training, you aim for a balance of air and sound where you can develop a natural vibrato. the sound production in the larynx is different. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators. UNISON1: When a single note is played, it is routed to all available output channels in unison but when a chord is played, each note of the chord is dispatched to a different voice (lowest note to the first channel, highest note to the last channel). Anna Maria Hefele is a highly skilled polyphonic singer from Austria who also performs with various ensembles as a specialist multi-instrumentalist. Since its inception in 2013, the choir has become renowned for its polished, innovative and engaging performances in non-traditional concert venues, often combined with multi-media elements. VELOCITY: dispatches low-velocity notes to the first voice, high-velocity notes to the last one, and anything else in-between. Polyphonic Voices is a Melbourne-based chamber choir under the artistic direction of Michael Fulcher. RANDOM: randomly assigns the note to a voice. This is a very naive approach to polyphony! SORTED: Lowest note is always played on CV/Gate outputs 1, the second note on CV/Gate outputs 2 and so on.ĬYCLIC dispatches the note to each voice one after the other. POLY: a natural voice-stealing algorithm. here are the 7 note allocation modes from MI Yarns: These results, in conjunction with modeling work, suggest that the high voice superiority effect might originate in characteristics of the peripheral auditory. When playing polyphonically, how does Hermod handle note/voice allocation? Is this a setting that can be updated?Į.g. ![]()
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